Film School vs. Experience

With every blog or podcast or interview that deals with the film industry there are a couple key questions that always seem to arise when people think about making this into a career. From the structure, "How do I write a script?" to networking "How do I get an agent?" to everyone's carnal desire "How do I make it and become dirty rich?". The same questions always rise to the top of these conversations. Another question/debate that seems to follow this pattern is the standings on Film School versus nitty gritty experience. 

People have different answers in regards to this question. I am in film school. I plan on getting a film degree. Am I an advocate for film school? Sure. If that's the path that best suits you. My whole belief on this topic is that some people are meant for film school, and others aren't. I've been privileged to have some experience in both worlds and I've drawn positives and negatives from both. 

I'm not the most motivated person in the entire world, hence why I have ruts in my postings, so having a strict deadline to learn things and to create things helps me get further. That being said, I have learned so much more being on a film set than I have being in a lecture hall. Nothing beats hands on experience. No article or chapter in a textbook beats having to set up this light or move this piece of equipment.

Purely speaking jobs on set wise, real world experience is much better than taking an introduction to production class. If you want to learn more about the business and filmic aspects of things, than school really is the best bet. I've learned devices and different view points on films and styles from lectures and books than I could not have possibly learned working. Having to analyze and dissect a film truly helps when coming up with your own content. I have found that I am able to tap into different perceptions of the world and of people in my own scripts and films because of studying styles from the past.

A major positive about experience is that you are able to actually work, and if you are actually decent as a production assistant than people will ask you to help them again and again on various different projects. Networking is key in this industry, and film school provides something that set work doesn't have, a built in network. Film school allows students to branch out to each other, an aspect that is much harder to do in the real industry. It also provides the chance for students to work in different fields and positions in a set. You could dabble in directing, or cinematography, or screenwriting in school. In the industry you would typically just start off as a production assistant. 

Ultimately there are many pros and cons for each side of this debate. I've decided to be in film school mainly due to the idea that if I'm not lucky enough to break into the industry, I could fall back and teach, something that almost always requires a degree. The film industry is a funny environment. While other careers strive on scholastic competency, film is more about dedication and knowledge of the craft rather than what grade you got on your senior thesis. Film school is not for everybody, but that is a decision that I think ultimately comes down to the person in question. You decide if school is the right choice for you. If not, strap on that leatherman and find the nearest set to work on.

The "Useless" Degree

So while I was trolling around on the web of world wide proportions I stumbled across this picture. 

The Today Show had recently discussed the topic of useless degrees. Now there is some sort of mathematical and scientific equation that figures out the median income of graduating students added to the circumference of the earth times the latitude of a straw divided buy Shaquille O'Neal's shoe size to come up with a plausible basis for determining the best majors to strive for in college. 

I have a huge problem with this. I've always felt that a career in the arts or degrees in the arts have been deemed as unimportant in society's eyes. As if being an art major was merely just a dreamers sense of false importance. My main gripe is that some people feel so unaffected by these creative people when in all actuality everything we touch, see, hear, and wear are all products of creativity.

Most of my friends have gone the route towards the holy grail of parentally accepted professions; being a nurse. Stable job, stable pay, always a demand. I get scoffed at for picking a major centered on the arts. "What good is that going to do for you?" "Dreams don't pay mortgages."

They feel so isolated from artists and designers, but in all actuality everything centers around art. A fashion designer designed the scrubs you wear to work everyday. A product designer made sure that your syringes and tools were the most efficient use of materials and space. An architect designed the hospital and the halls that you walk down everyday. If we didn't have people pursuing these "useless" degrees, we'd all be naked in the middle of the woods with caves as our shelter.

I think the biggest irony that I see is that the actual Today Show would not be functioning if it weren't  for the skills of the people whose degrees they call "useless".

I'm just taking this out of context of what I see in the picture. I didn't watch the segment, but this has been a sore spot for me for a while now. Taking into consideration the term "useless" in the picture, the list could be implying that you wouldn't actually need a degree to succeed in these fields. Now that, I sort of understand with the whole film school thing. The other degrees I'm not sure that this mentality holds true. But there has always been a debate of whether film school is the answer for people to break into the industry. That's a topic for another post.

All in all, I'll leave you with this. The products of creativity are all around us, no matter how secluded we believe we are. Every time you change your clothes, or watch that movie, or pick up a box of cereal at the grocery store, art and design are forever a presence in our lives. So it's about time we stop overlooking the art and appreciate it.